Cuban Pavillion
Conceptual start from the photos of Scott Eaton
Area of intervention
2.400 m²
Description
Modeled in Rhino & Grasshopper, the project, situated within an imaginary context, embodies a novel architectural identity with the aim of introducing Cuba to people from an unfamiliar perspective through the concept of ballet. Ballet culture, having traversed through the Soviet Socialist Republic and evolved into a revered art form in Cuba, is deeply ingrained in the nation, boasting the world's largest ballet school. Appreciated by all, ballet holds historical and cultural significance in Cuba, particularly during the oppressive Batista era when it was banned, transforming it into a symbol of anarchy.
The design project entails various analyses, exploring different conceptual frameworks, the interplay between interior and exterior spaces, and a design that adapts based on user behaviors. Chosen as the focus due to its vibrant culture, eclectic architecture, and rich history, Cuba became the subject of exploration for the student in the course. Research unveiled a cultural element associated with Cuba that outsiders may not readily connect with without a deep understanding of its history. This discovery led to centering the design narrative on this cultural element, utilizing the expo design to unveil the lesser-known aspect of Cuba through the lens of ballet dance.